As students head back to school, auditions for fall plays are right around the corner. I ran three auditions over the summer and have another six coming up shortly, so with auditions on the brain, I thought I’d share some tips for students who are about to embark on that stressful, yet fun, challenge.
These tips are assembled from my experience as an actor going through audition after audition, as a director running audition after audition, from students who told me about their own audition experiences, and from various directors who have shared their audition processes with me.
Feel free to pick and choose the ones that you think will be helpful when you audition. If you can apply some of these tips, you’ll be more likely to have a strong audition that you can feel good about, and to have a chance at getting a part. (Notice that I didn’t say you will get a part. Because you don’t control casting. All you control is your audition.)
Let’s take a look at some audition tips!
1. Auditions begin the moment you walk in the door. And they never stop – even when you’re off the stage.
Most directors are observing you at various times from the minute you arrive, even when you’re not onstage. They’re taking note of your personality, how you interact with others, how professional you are, and how seriously you’re taking the audition. This is one opportunity that a lot of actors (young and not-young) don’t take advantage of. I’ve gotten a lot of ideas for casting just by watching the students who are waiting to go onstage. So make sure the actor you’re showing to the director is the one who will help the show – not hurt it.
2. It doesn’t really matter what part you want.
This one is pretty simple: Directors don’t, or shouldn’t, cast a show based on which parts their actors want to play. They cast based on what’s best for the characters and the play, nothing more. As an actor, if there’s a part that you think you’re a great fit for, do your best to show the director that you connect with that character (remember: both on and off the stage). Now, sometimes the part you like the most and the part that fits you best are the same thing. But more than likely, they’re not – and that’s okay. Because remember, casting is not about you. It’s about the show.
3. Auditions are not a time to be timid. Bold choices are required.
When it’s your time to take the stage, your objective is not to blend in. Those that blend in get forgotten. (And usually not cast.) So take risks. Be bold. Move around and interact with the other actors onstage, even if you’re the only one doing it. Be willing to be wrong, to make mistakes. Don’t leave the stage thinking “I wish I had done this cool thing. . . ” because it does you no good. Do it while you’re there. What do you have to lose?
4. Pay attention to what the other actors are doing.
If you’re in an audition where you get to observe everyone who’s auditioning, put down your phone, stop talking to your friends, and don’t zone out. Pay attention to everyone’s audition. Find the choices they make that don’t work, and don’t repeat them. Find the choices that do work, and steal them for when it’s your turn. Steal them, you say? That’s right. Because in auditions . . .
5. Stealing from others is okay.
Your objective in an audition is to give yourself the best chance to get cast. One way to do this is by observing what the other actors are doing that works well when they audition. If they do something that makes you think “That’s amazing,” it makes sense for you to incorporate what they did, make it your own, and make it better. But what if you can’t make it better? Do it anyway. You never know what’s going to happen.
6. Treat every time that you get to “read” as your last chance.
You may get to read several times during an audition. But the truth is, casting decisions are being made throughout the process. Now, they may change (and probably will), but don’t think that way. Treat every time you “read” as the only chance you’ll get to show what you can do. Because it may be. Does that put pressure on you? Sure, but the pressure’s already there anyway. It is an audition, after all.
7. You are not competing with the other actors, no matter what anyone else has ever told you.
I know it feels like you versus the other actors, but it’s not. You can’t control how talented the other actors are, or their experience, or their looks, or what they do or don’t do onstage. You can only control yourself, what you bring into the audition, and how you use what you do have. The goal is not to beat everyone else: It’s simply to do your best, with the skills you have, when you get the chance.
8. You are never just auditioning for the part you’re reading for.
You’ve been asked to read for a role that you have no interest in. It’s a small part, and you’re scared that if you do an awesome job, you’ll be stuck with it. So you’re thinking of holding back a little – or completely tanking. Don’t. For two reasons: One, that’s not professional and could keep you from being cast at all. Two, you might be (no – you are) getting looked at for other parts at the same time.
9. Of course everyone doesn’t have an equal shot at every part.
This is the reality of casting a show. No matter how fair a director strives to make it, everyone doesn’t have the same shot at all parts. If everyone was exactly the same, in every way, then sure: everybody would have an equal shot. But it’s not true because everyone’s different. Different looks, different genders, different ages, different experience and skill levels. Not to mention that the play, and the characters, play a huge role in casting as well. And that’s okay. So don’t get caught up on something you have no control over. Focus on only what you do.
10. If you do nothing else, at least project.
Sometimes, casting a role comes down to the student who can project, or fill the theatre with their voice. That’s it. If a student can already project, that’s huge because one of the biggest problems students have is talking to “deaf Mrs. McGillicuddy” in the back row of the theatre. So if you do nothing else during auditions, at least project.
In the end, remember that you are auditioning for a play. There’s a reason it’s called a play. The ability to just let go and “play” whatever role you’re reading for isn’t as difficult as you think. You were free to do that when you were 4 years old. You could play any character you wanted, loudly and believably.
Why? Because it was called pretend back then. Now it’s called acting. The secret is: they’re the same thing.
So find your inner four-year-old, remember and use the tips above, and be big, bold and have fun playing whatever character you’re reading for. In the end, you might get cast, you might not. But in the end, you’ll know you did everything you could. Your best.
Here it is. Steven's blog, where his thoughts about things are revealed. Good luck.